The Crime Syndicate behind staged events has been embedding into the minds of masses the notion that vehicles are commonly used as weapons against crowds. Before 2015, this would have been rarely heard of.
People accept the official narrative – but we would bet that not one person in a thousand has actually closely watched and examined the five videos taken of the Charlottesville alleged vehicular assault. Winter Watch is the only site online, that we are aware of, that has all five of these hard to find “car assault” films in one location. Now you can actually view what transpired from multiple angles rather than be fed a narrative.
Most Americans are good drivers, they’re around vehicles continuously and, as such, develop necessary instincts and awareness. We are taught at a young age to be vehicle aware- and maintain heads up around them. But at Charlottesville (and elsewhere, such as the Berlin Christmas, Nice, Barcelona and Toronto truck attacks), people are presumed to be standing like deer in the headlights as vehicles careen and bear down upon them- leaving broad swaths of bodies as if a vanado came through.
One such video of the Charlottesville crash, taken by Brennan Gilmore, shows a rear view of the car approaching the crowd, then speeding away in reverse. Examine the 46-second clip below. The majority of the video shows pavement and of the scene well after the car drove off. We are provided brief snippets of usable images. The primary one is between minute 0:02- 0:04, when the grey Dodge Challenger is approaching the crowd. The driver is not moving at a high speed. At first people are getting out of the way as the car closes in.
After minute 0:04, this film offers no value for analysis, as Gilmore moves left so his angle is blocked by someone I call “Mr. Yellow Hat.” Then at 0:06, when he could have got in position to get valuable money shots of this event, Gilmore starts filming the pavement. Then at 0:21, he managed to get back in the game to film the car in reverse dragging long pieces of metal debris presumed to be the bumper and front grill of the car.
Notice all the shoes at loose, the tell-tale calling card of staged deceptions. Several stills of C-ville shoes are offered in the next link.
Brennan Gilmore’s Video
Next we go to the impact crash with the white car, which can be seen at minute 0:18. Now, watch it frame by frame and you will notice that this otherwise decent-quality video becomes blurred, as if a filter has been overlaid. CGI frames? At impact, you will see a heavyset woman hurled into the air. You have to look closely, because it’s blurred and pixelated- and quite unnatural looking.
BNO News Footage
At 0:19-0:20 after contact is made, you can see individuals in the crowd well past the impact zone who are just frozen, no reaction. Replay the Gilmore clip above and you will hear loud screams all the way along the car’s approach path from start to impact. Are these people at impact deaf or have a death wish? Here is another photo taken from behind of a large frozen crowd people standing there in close proximity with no reaction. Don’t they notice others fleeing the road? Or the acrobats spinning in the air?
The following photo offers the perspective from behind the Challenger and shows two men (actually four if you look in front of car) being hurled into the air like acrobats. As the heavyset lady went forward and airborne, the acrobats demonstrate a different type of cartoon physics. Once again, people in front of the charging vehicle are barely budging.
This “NewsTube” video emerged. This one is the most revealing and is pure Hollywood. Focus on slow motion full screen starting at 0:15. It shows stunt men failing to react to approaching danger and bouncing off the car coming in= very choreographed looking. Then they are shown getting right back on their feet unharmed. Light brown haired upside down acrobat stunt man in the still shot is on his feet at left- 0:40 in video.
Here is photo (video 0:55) of Mr. Red Shoe acrobat stunt man, minus a shoe, sitting on the hood of the black truck as the Challenger reverses. Then another group gets directly behind the car as it reverses. One zombie jumps on the back hood as the car is backing up. Who would do that?
Go to 0:22 and full screen- notice how the gray filter is back on at the front right side of the car. The gray filter is also visible starting at 0:25 on individuals on the back left side of the vehicle. Faces are blurred. This makes the personas and their motions and conditions indistinguishable. One second you are watching clear imagery and then blurs and grayish filtered fog where and when it matters.
Then, starting at 0:26, the brilliant BNO photographer starts filming his thumb, completely misses the event and provides a narrative about a Nazi driving into the group. The driver was behind tinted glass, so how would the cameraman have any idea who was driving? Filming the backs of heads, hands, thumbs, pavement, trees overhead, the tops of buildings coupled with narratives that instantly solve the crime are all hallmarks of staged psyop events. We have seen and covered this over and over and over and over again.
In the next video, yet again we have a herky jerky video and theatrics just when things get interesting at minute 0:23. Incredibly finger lady also blocks the view by putting her fingers in front of the lens.. At 0:44, Finger Lady proclaims, “Those cars ran down all these people.” How many do you see? One dead and 26 wounded? Do you see that many casualties in the NewsTube video? Decide for yourselves, but about all I see in this clip is what my old basketball coach referred to as “wasted motion” — wasted motion for the purpose of putting on a performance.
Finger Lady video
Incompetence? In the next video we see this sleight of hand with a so-called award-winning Boston Globe photojournalist at the Boston Marathon bombing. When the smoke clears and he goes to the rail, the upper floors of buildings are filmed with only glimpses of where it matters.
Boston Globe footage
The next clip (The Last Stand) is streamed video from a different angle. I am interested in the part starting at minute 0:14. This sickening image and audio racket are designed to stir the emotions in everybody. But try to examine it and all these videos with an investigator’s eye. In fact try it with the sound turned off. Here you see the heavy girl hurled airborne in bizarre unnatural fashion over the top of the white car. Consider the speed of the gray car in the first video, described as about 20 mph. Is this physics likely, or even plausible at that speed?
At minute 0:28, you see the blurry image of a small black woman or girl, picking herself off the hood. She looks partially pinned. Seconds later and right when it may become revealing to thinking observers, this photographer (like the others) begins shooting the top floors of buildings before the video is cut off. At about min. 1:00, they come back to the cameramen “filming chaos,” in this case almost all screaming and images of overhead wires, trees, and surrounding buildings. The rest of the video shows a whirling, jerky camera, poor quality footage, a narrative, and scenes (CGI frames?) that are a little different from other staged events. An observer would not be able to identify any person in this multitude or really make a whole lot of sense of the scene in which 26 were alleged wounded and one killed. Curiously, the narrator does point out that it took several minutes for police to arrive.
The Last Stand Footage
Winter Watch Takeaway: At the end of the day, Virginia’s governor made slurs against those protesting against the removal of the Robert E. Lee statue, called them Nazis and told them to go home and stay home. Free speech in the U.S. is finished. That much is obvious. If you show up to protest legitimate issues, expect to be slurred, gamed and hoaxed to no end. You will go head to head with nasty AntiFa. You may be manipulated by Judas Goat controlled opposition. If you think police will protect you, wrong again.