By Kevin MacDonald | 20 October 2017
OCCIDENTAL OBSERVER — Edmund Connelly’s article on Harvey Weinstein and the shiksa phenomenon discusses revenge as a motive. From this perspective, what Jews like Weinstein are doing is the result of hatred toward the goyim because of their perceptions of the long history of anti-Semitism. Of course much of this narrative is false and exaggerated, but the point is that this “lachrymose” version of Jewish history is entirely mainstream among Jews and a cornerstone of Jewish education and Jewish self-conception.
Revenge is important — even critical — in understanding the main currents of Jewish behavior. However, several of the passages from Portnoy‘s Complaintseem to be much more about dominance and sexual competition than revenge. This suggests that another way to look at shiksa lust is from the perspective of evolutionary psychology which suggests that a central motive is domination over the women of the outgroup. In the competition for dominance among males, females are the ultimate prize. Recall that a constant theme of human history is that women are the spoils of war. Conquering males seize the women of their defeated foes — the Mongol harems throughout Asia come to mind, as well as the behavior of our Indo-European forebears.
This is from the Mark Oppenheimer article that, controversially, raised the revenge theme:
As a boy, Portnoy fantasized about attaining a mythical shiksa goddess whom he nicknamed Thereal McCoy (get it?), who ice-skates “in her blue parka and her red earmuffs and her big white mittens—Miss America, on blades! With her mistletoe and her plum pudding (whatever that may be),” but as a grown-up he graduates to the real woman he nicknames The Monkey. And what does he do to abase her? He has her perform with an Italian whore. Yes, he eventually joins in, but not before they enact a bad movie—not Hollywood, but San Fernando Valley triple-X. And his nickname for her, The Monkey? That comes from an episode in her life, from before Portnoy met her, when a couple swingers picked her up and wanted her to eat a banana while she watched them copulate. For having a past that gets him hot, she gets degraded with an animalistic nickname. Her history as an actor is what he wants her for.
Harvey is cut from the same cloth. Growing up in Queens, he fantasized of fame and fortune, and, once he got them, he struggled to maintain them by building himself into a larger-than-life figure. He yelled at employees like he was a studio boss from the 1920s—the only thing missing was a riding crop. He ran Oscars campaigns like they used to in Old Hollywood. And he harassed women not necessarily to use them as instruments of his pleasure, but to use them as instruments of his power.
It goes without saying that nearly every one of these women—Rose McGowan, Ambra Batillana, Laura Madden, Ashley Judd, etc.—was a Gentile, all the better to feed Weinstein’s revenge-tinged fantasy of having risen above his outer-borough, bridge-and-tunnel Semitic origins. But it turns out there was a Jew(ess) in the bunch, none other than Lauren Sivan, of the potted-plant episode. In that small way, he inadvertently broke out of the Portnoy mold, performing his inadequacies not for the great all-American odeon but for a woman who could be his cousin. Harvey can run from who he is, but he can’t hide.
Revenge for the history of anti-Semitism is never mentioned, but the desire for attaining power over shiksa females, and particularly to degrade them is very apparent — the ultimate symbol of dominance is the ability to degrade with impunity. […]
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