The Casting Couch of Hollywood’s Jewish Phallocrats

‘I met them all. Some were vicious and crooked.’ — Marilyn Monroe (1926-1962)

Long before Harvey Weinstein sullied the reputations of “white men,” Hollywood Jews in positions of power coldly used women as sexual receptacles. They ruined the lives of countless girls and women who refused or fight back, and they emotionally damaged those who submitted out of fear or a moment of weakness. The cynical and ambitious ones formed a sick symbiotic relationship with their abusers.

Upton Sinclair once remarked, “Jewish traders sold Christian girls into concubinage and into prostitution, and even today they display the same activity in the same field in southern California where I live.”

F. Scott Fitzgerald summed up the Hollywood scene of his era: “A Jewish holiday, a Gentile tragedy” (Gabler, 2).

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Billy Wilder (center)

In the 1940s, the novelist Raymond Chandler was in Hollywood, and assigned to work with Jewish writer and director Billy Wilder. Chandler was appalled by the way the married man would constantly and openly “chat up” young starlets with whom he had innumerable sexual trysts, evidently regarding them as mere entertainment and simply his “due” for being a man of his position (or as one of the “chosen”).

Chandler said he was disgusted by Hollywood’s Jewish elite and later wrote to a friend: “Los Angeles has nothing for me anymore. It’s only a question of time until a Gentile has to wear an armband there.”

RELATED: “Who runs Hollywood? C’mon”

When child star Shirley Temple was 11 years old, she was asked to come — alone — into the office of Jewish film producer Arthur Freed to “talk about her upcoming films.” Temple was already one of the most popular stars in Hollywood. She was hardly of an age to even understand the meaning of the term “casting couch,” nor did she particularly need Freed’s favor. But Freed simply couldn’t restrain himself.

According to Temple herself, Freed had only uttered a few sentences about her films when he suddenly exclaimed, “I have something made for just you,” while taking down his pants. As he exposed himself to her, he proclaimed, “You’ll be my new star!”

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Shirley Temple (1928-2010)

Temple was protected by her very real innocence of such things, and could only laugh. Her laughter enraged Freed to the point of forgetting all about his sick lust. Temple said that Freed yelled at her, ‘“Get out!” He then shouted, unmindful of his disarray, imperiously pointing to the closed door, “Go on, get out!”’ (Wall Street Journal)

Harry Cohn (1891 –1958) the founder of Columbia Pictures Corporation, was part of the Eastern European Jewish mogulocracy that came from nowhere. Cohn was a tyrant. His temper was his chosen tool for getting his way. Listening devices throughout his studio helped him eavesdrop on subordinates and a sound system allowed him to blast anyone who annoyed him.

Cohn filled his shelves with silk stockings and expensive perfumes. He helped entrench the system in the movie industry during four decades in film. From the start, Cohn used his aggression to exert control over female stars. Not only did he force them to change their names and their appearances, but he regularly forced them to trade sex for employment, then scrutinized and even spied on them. He relentlessly demanded that the actress Rita Hayworth in particular sleep with him, bugged her dressing rooms and imposed financial penalties for insubordination.

In the words of E.J. Fleming — whose book “The Fixers” focused on how Hollywood studios controlled their stars’ images — Cohn “was said to have verbally or physically raped every woman that ever worked for his studio.”

Harry Cohn with Rita Hayworth and Anita Louise, 1946. PHOTO: Columbia/Kobal/REX/Shutterstock

Early in Marilyn Monroe’s career as a struggling actress, the Jewish head of Columbia, Harry Cohn, invited her to an overnight cruise on his yacht. Monroe was required to strip naked for Cohn in his office. As she bent over, at his direction, he approached her, penis in hand. When she declined his advances, said Monroe, “I had never seen a man so angry” (Jordan, 91; Wolfe, 211-212). Cohn then “banned her from the [Columbia] lot after she refused to accompany him on a yacht to Catalina Island” (Leaming, 8).

“You know,” Monroe once said, “that when a producer calls an actress into his office to discuss a script that isn’t all he has in mind … I’ve slept with producers. I’d be a liar if I said I didn’t” (Summers, 34-35). In 1955, 20th Century Fox awarded Monroe the richest per-film contract of any actress. “It means,” remarked Monroe, “I’ll never have to suck another Jewish cock again!” (McDougal, 217).

“By 1953,” Ted Jordan reports, “Monroe could be virulently ‘anti-Semitic’ (a sentiment that grew as she got older). To my discomfort, she would sometimes refer to Joe Schenck, the mogul [and another sexual stepping stone], as ‘that Jew shit’ and to other Hollywood personalities as ‘Jew’ this or that. Occasionally I would have to remind her that I was half Jewish” (Jordan, 188).

Louis B. Mayer and child actress Judy Garland

Jewish phallocrat Louis B. Mayer (1885-1957), who co-founded Metro-Goldwyn-Mayer (MGM) studios in 1924, was ground zero of this kind of abuse. He had the means, motive, opportunity and that critical piece of the puzzle: the whip. If women didn’t comply, he’d threaten to ruin their careers or those of their loved ones, according to Variety magazine.

Cari Beauchamp, author of “Without Lying Down: Francis Marion and the Powerful Women of Early Hollywood,” noted: “Mayer chased actress Jean Howard around the room. When she said, ‘No way,’ and went off and married Charles K. Feldman, the agent, Mayer banned Charlie from the lot. For a long time after, he wouldn’t allow any of Feldman’s clients to work at MGM.”

Mayer also allegedly groped the teenage Judy Garland, according to Gerald Clarke’s book “Get Happy: The Life of Judy Garland,” and held meetings with the young woman seated on his lap, his hands on her chest.

Claudette Colbert wrote that the only star she knew who had not made it via the casting couch was Bette Davis — and that included herself. Most biographies today describe Mayer as a man who “personally serviced” every actress he signed – hundreds of them.

It was claimed Sam Goldwyn (aka Samuel Goldfish) of MGM wasn’t really that in to it, but he engaged in these behaviors mostly to keep up with his fellow phallocrats..

Goldwyn: A Biography – A. Scott Berg

Jack Warner (aka Wonskolasor), the driving force and the youngest of the Bros — there were six in all — is universally described as a horrible man. Film critic and historian David Thomson, who wrote “Warner Bros: The Making of An American Movie Studio” for the Yale Press Jewish Lives series, stated that Warner was “maybe the biggest scumbag ever to get into a Jewish Lives series.”

Winter Watch Takeaway: And that’s saying something!

Watch you back and your ass around this guy.

Whenever studio chief Jack Warner arrived at a star-studded Hollywood party, the man they called “The Duke” (John Wayne) would angrily storm out.

On one occasion when Warner eventually caught up with Wayne, he asked innocently, “What went wrong?”

“You screwed me!” said the hardbitten actor, according to Express news magazine.

“Duke, I know,” replied Warner. “But that would have happened anyway. And we’re your friends.”

Cheating and exploiting its stars has been a Hollywood way of life for more than a century, but few studios embraced that sadistic ethos more than Warner Bros.

In 1956, with movies losing profits to TV, Jack even duped his own brothers, persuading them to sell 90 percent of their stock to an investor, then making a secret deal to repurchase the shares and make himself studio president.

11 Comments on The Casting Couch of Hollywood’s Jewish Phallocrats

  1. Its about time for Yahweh to keep another Pope company AGAIN, a Gen Ulysses is around the corner. God help shiksa in the meantime but they do get hopelessly snared, dershowitzers tongue is not only used in the courtroom.


    • Are they even human ? Like ‘top’ rabbi Michael Laitman tells jewish students : “jews (their ancestors)are not from here, but from outside and we are here to fulfill their commands for world domination”.
      When we think deeper, the surface of what we call earth is measurable not curved. Easy to prove, fot example when you see the sun or a boat going ‘over the horizon’ and you zoom in with a strong telelens or telescope they are fully visible, furthermore you will see water behind it. In that regard i think it’s possible we live a a much, much bigger earth ( think Antartic treaty) and that outside our known realm are/were other lifeforms. Giant human bones are found in the past and precent. So, is it possible that Michael Laitman tells the truth and that jews, who differ so much from non jews are originally not from here ?

      • And those jews in Hollywood are still at it today. They have to pull that shit because no woman would touch them outside of Hollyweird.

  2. Just wondering if the anti-Christ Talmud had any influence in the lives of these psychopaths…. or Kabalah… And to answer Ben Stein’s question “What of it?” regarding Jews controlling Hollywood–What of it, Ben? Here is “what of it”–hope these psychos have their “fun” “in the outer darkness, where there will be weeping and gnashing of teeth.” (Matthew 8:12, quoting that Dude Talmudic Jews hate)

  3. No matter how many starlets these ugly pigs boned, the damage done to them was nothing compared to the rubbish and filth that they filled the heads of delusional moviegoers in the English speaking world.

  4. These jews are not the original ones. The European jews originally came from Khazaria (now Ukraine) and were most corrupt, cruel and thieves (still going on there today). They had no religion and about 1400 yrs ago Russia forced them to choose one of the abrahamic religion hoping they would mend their ways. They choose Judaism. Of course they didn’t change and around 700 yrs later the Russians and Persians purged their area and they wounded up throughout Europe. One family named something like Boer changed their name to Rothschild and we know the rest. They are the deep state and think they control the whole world just like these mogul in Hollywood. I lived in Israel for a few years a while back and was appalled how the Jews there were so cruel towards the Palestinians until I came across the book of Arthur Koestler, The 13th Tribe, talking about the Khararians. It made sense; 85% of Arabs are sematic and only 5% of Jews are. Now we should call them khazarian mafia (KM) like Ben Fulford does, to distinguish them from the honest Jews. So let us not demonize the wrong Jews. Hollywood is mostly KM as we can see.

    • Jewish males in any position to influence gentile women never fail to step up to the task. Leo Frank, for example, not to mention numerous schoolteachers here in the rust belt, and a university dean or two.

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