‘Honestly, the best thing I’ve ever had is fentanyl. There’s not a thing on the planet earth that compares to fentanyl.’ — Rue, the teen heroine in HBO’s new series ‘Euphoria’
Thirty penises flash on the screen in one episode. That’s how a writer at the Hollywood Reporter described HBO’s newest teen-scene series “Euphoria.” Hollywood writer, Bryn Elise Sandberg, must’ve played that extremely brief scene repeatedly in slow motion to tally all of the high school locker-room wankers. He writes that in the original cut of the episode, there were actually 80 penises. Poor Bryn. He must feel shorted.
Most mainstream critics and reviewers excoriated “Euphoria” prior to its release, and even more culturally liberal writers from online publications seemed to cringe. We could write thousands of words describing the graphic nature of “Euphoria,” but countless writers already have. So rather than rehash, let’s just have a look, shall we — because what all the other articles don’t offer are actual stills from the show that visually illustrate the level of degeneracy and graphic nature of the program. Images are powerful.
But the most shocking thing about “Euphoria” isn’t the constant full-frontal “teen” peen (and, surprisingly, no female nudity). It’s the entire show’s theme: High school Gen Z confusexuals in graphic sexual scenarios, doing hardcore drugs and sexually exploiting themselves and each other with their cell phones. Think “Mean Girls” meets “Sid and Nancy” meets “50 Shades of Gray.”
Read “The Arrival of the Gen-Z Confusexuals”
At the core of every work of art, book or film is an argument. The “artist” uses their preferred medium to persuade others to see the world the way they do. They do this through the use of explicit and implicit messages and visualizations. “Euphoria” is heavy on explicit messaging, which distracts critics and viewers from the implicit messages. Yet, with “Euphoria,” it’s the implicit messages that should be analyzed because therein lies its social engineering.
The Drug Addict
“Euphoria’s” main character is Rue, a high school drug addict who’s always looking for her next high, or feeling of “euphoria.” In Episode 4, Rue tells us while she’s masturbating: “Honestly, the best thing I’ve ever had is fentanyl. There’s not a thing on the planet earth that compares to fentanyl.”
Read “Horseman of the Apocalypse: Fentanyl”
Rue is played by Zendaya Maree Stoermer Coleman, age 23, who’s a mixed-race actress and former child star from the Disney MK-Ultra factory.
True to the formula, Disney endears young actors to children, who want to emulate them. Then Hollywood cashes in on the shock value of exploiting the young stars while simultaneously exploiting young fans. Britney Spears, Christina Agulera and Miley Cyrus are prime examples. Now, Zendya.
Rue narrates parts of each episodes. She’s the voice of reason and insight, and she introduces us to the other primary characters, who are her fellow classmates. The story is about high school juniors, which means they’re supposed to be somewhere between the ages of 15 and 17.
The kids all have parents who love them and live in lower-middle class to upper-middle class homes. The kids don’t work or do any homework. Their lives are all about hooking up for sex and dropping out on drugs. Whatever cures their boredom. Of course, to keep viewers from getting bored, the episodes are sprinkled with occasional contrived soap-opera-style drama.
Rue tells us how she overdosed on drugs and skipped out on rehab. She schools us on where she buys drugs, precisely how she cheats on her drug tests, and how she gets away with not showing up for mandatory Narcotics Anonymous meetings (she offers to give the attendance recorder a blow job).
She even teaches her fellow high school classmates how to take a proper dick pic.
Rue may be bisexual, but she doesn’t sleep around. So it’s fitting that her new BFF and obsession becomes Jules, the new trans kid at her school.
The Trans Kid
Viewers are introduced to Jules as he injects himself with female hormones before leaving for school. Trans actor/actress and ”activist” Hunter Schaefer, age 20, plays the trans high schooler, which the director felt added extra authenticity (shock value) to the show. Clearly, this character will someday be a hero to the real-world 11-year-old “Drag Kid,” last seen dancing on stage in a gay bar as homosexual patrons threw money at him.
Read “Let Me Tell You Bout the Birds and the Bees: Why Transgender, Non-Binary People Can’t Find Romance”
Most of time, Jules is looking at his cell phone, swiping left or right on homosexual hook-up apps. Jules tells Rue he’s been with at least 20 men — not because he enjoys the sex, but because of the excitement that leads up to it. In the first episode, we see Jules, dressed like a slutty preschooler, riding his bike at night to a cheap motel to meet a man he met online named Cal, played by actor Eric Dane, age 46.
As 40-something Cal hands young Jules a glass of cheap champagne and simulates oral sex with his thumb, Cal tells Jules how much he admires his generation because they don’t live by any rules.
Cal then roughly sodomizes the teenager, who acts like it’s painful and scary but something to ultimately just accept as part of life. Jules later learns that Cal is the father of Nate, the high school football team captain.
The Jock
Of course, there are no “normal,” loving, nuclear families in the cartoon world called “Euphoria.” We are shown Cal and family, with Nate the jock being the teenager in the middle, played by Australian actor Jacob Alordi, age 22.
As a young boy, Nate discovers his father’s homosexual teen porn collection, including home movies. He doesn’t ask his dad about it or tell his mom. This sparks in him homosexual curiosity. So he secretly goes on a homosexual dating app and ends up meeting Jules.
In Nate’s hyper-masculine world and among his group of friends, homosexuality is not accepted. So he hides his tendencies, which makes him a homophobic rageaholic, of course.
The Beauty Pageant Queen
We’re told that at the age 14 and while on vacation Panama with her family, Maddy lost her virginity to a 40-year-old man she met on the beach. Rue concedes that it “seems kind of rapey,” but it’s totally okay because “she (the 14-year-old) was the one in control.”
Now, Maddy — played by Alexa Demie, age 24 — is the steady girlfriend of the aforementioned school jock Nate. He thinks she’s a virgin, but she screws a lot of random older men because of empowerment or something.
We’re told Maddy watches a lot of porn — “not because she enjoys it, but because there are a ton of good secrets” to be learned. And if you put on a good sex show and “make a guy feel confident and powerful, he’ll do anything,” such as rub your feet, buy you lobster dinners and expensive gifts, the show illustrates.
The Chubby Girl
Kat, played by 22-year-old plus-size model Barbie Ferreira, is the school’s smart, chubby, frumpy girl who lingers in the shadows of the cool high school girls. At a party one night, she’s peer pressured by a group of boys to prove she’s not a virgin. So she has sex with one of them, while another records the act with his phone.
The next day, the video is all over school campus. Kat is horrified until she learns that it got thousands of likes on Porn Hub. This makes her feel happy and empowered.
Seeking more attention, she creates a sex chat/streaming room, but it draws little interest — except for an overweight middle-aged man with a micro penis who, with regularity, pays her in Bitcoin to verbally degrade him while he masturbates. (Yes, we see a man with a micro-penis masturbate.)
Kat takes the funds and gives herself a leather-studded-slut makeover. Of course, this gets her looks from boys and men, with whom she starts to sexually experiment.
She relishes the attention and tells viewers, “There’s nothing sexier than a fat girl who doesn’t give a fuck.”
Read “Robert Mapplethorpe: Promoting Cultural Degeneracy, Weaponizing Modern Art”
Last week, Deadline reported “Euphoria” drew 5.5 million viewers across HBO’s platforms and will be renewed for a second season. It ranks as the “youngest-skewing drama series on HBO’s digital platforms.” In other words, its audience is teenagers and children who are watching it on the internet.
Social Engineering Direct from Israel
Most articles give credit for this sodomite series to Sam Levinson, the 35-year-old son of the famous and prolific Jewish director Barry Levinson. During the last 10 years or so, Sam worked in various capacities on four flop film projects, none of which you’d recognize. Overall, given Sam’s name, background, connections and resources, his achievements are remarkably unremarkable.
And now Sam is being called “Euphoria’s” creator, executive producer, writer, director, etc. Well, that’s not entirely true. Levinson merely adapted the show for American television.
“Euphoria” was actually created seven years ago by Ron Lesham for Israeli cable T.V. The 43-year-old Leshem has an impressive resume. He’s a best-selling Israeli author, an award-winning Israeli filmmaker, Israeli cable television writer/producer/director, and he’s on the lecture circuit for U.S. Ivy League universities.
But most interestingly, Lesham began his impressive career by serving as a soldier in the Intelligence Corps of the Israel Defense Forces. From there, he spent a few years as an Israeli reporter from the West Bank and the Gaza Strip before becoming an analyst for military affairs.
Now, Leshem and an entire obscure team of Israelis are behind the scenes of the American version of “Euphoria,” according to Deadline and other industry reports. They operate with impunity and include Hadas Mozes Lichtenstein, Daphna Levin, Tmira Yardeni, Mirit Toovi and Yoram Mokady, to name a few.
Torchy Takeaway
“Euphoria” introduces abnormal sexuality to children and young teens who don’t have the maturity, experience or context to recognize it for what it is. It desensitizes children and young teens to the sight of men’s penises. And it implicitly sends to kids the message that it’s somehow normal, fun and exciting to experiment with drugs and engage in random, anonymous sex and sodomy with men old enough to be their father.
The series also serves to make the sex crimes that were committed by Epstein, Weinstein and their ilk seem somehow pedestrian and insignificant by comparison. We have no doubt that this is by design and is one of the true agendas behind “Euphoria.”
Every time…
The race to the bottom(bowels of hell)is on full speed. Thank you (((Jews)))
http://www.renegadetribune.com/wp-content/uploads/2016/03/thanksjews-e1459352452331.jpg
This is the sickest shit I’ve ever seen. The Joo assholes responsible for this shit should be impaled on wooden stakes, like Vlad the Impaler used to do to muzzie illegal aliens.
After reading a couple paragraphs, I had to check the Wikipedia article on HBO’s Euphoria to see if my suspicions about who was involved in its production were correct. Another case of Every Damn Time. My only surprise is that they also foisted it on their own people as well.
And then, for no reason at all, the people elected Hitler.
Revolting wtf
Jesus fucking Christ ! Not being a regular TV or HBO watcher, I HAD NO IDEA.
My God, THIS IS IT. No need to wait any longer … it’s time to level “Hollywood” and
bulldoze it into the ground. I am totally overwhelmed and sickened.
We don’t own a TV. Don’t watch the MSM (and to think i produced video in university). While one might compare cleaning up the porn industry to attempting to sanitize a cesspool, this is a shock to learn this filth is available to teens in any home. Beyond comment on that one. Shocked.
Since we both have counted Jewish friends among our best – and as the tribe feature the best classical musicians and composers – many other sympathies – we have come up with a new term for the filth who indulge in degeneracy: SCREWS.
This used to be a common term for prison guards (and the kakistocracy indeed hone a prison camp world for the rest). These are the deviates, the authors of all filth and exploitation. The two R families are screwing the planet.
Just in case others are disgusted with these godless exploiters and seek an appropriate term distinguishing them from the great Jewish individuals they know. The SCREWS are busy destroying all decency.
““Masters of the bluff and masters of the proposition, but the enemy I see wears a cloak of decency.” – Bob Dylan
One must be careful when dealing with the tribe. The filth and perversion shown here is on full parade for all to see. It is up to parents to do the best they can to fight against it and protect their children from it.
On the other hand, we have the good “SCREWS” who work their magic through lies and deception, all the while pulling and pushing toward their beloved “Armageddon”.
This is disgusting beyond belief. Wtf is wrong with ppl!
They do these type programs to grow their cause. They want everyone onboard in order to legalize this sick shit.
This has to be stopped.
Of course this is a Jewish thing!. Complete degeneracy, open boarders, cultural Marxism? It’s what they live for.