In the movie ‘Full Metal Jacket,’ Gunny says to Vincent Dinofrio, “You’re so ugly you could be a modern art masterpiece!”
Another touchstone moment in Modern “Art” degeneracy occurred last month at Christie’s in New York. While the world and (((media))) focused full-court attention on the sale of renowned artist Leonardo da Vinci‘s “Salvator Mundi” (c. 1500) for $785.9 million, a lesser-known late “artist’s” modernist crap raked in a whopping total of $73.7 million.
Cy Twombly’s (1928-2011) huge looping red scrawls (see below) titled “Untitled” (2005) sold for $46.4 million with premium. Another Twombly painting titled “Sunset” (1957) featuring the artist’s signature scribblings on a white background sold for $27.3 million. This comes from what is referred to as the “deskilled school of art”.
Wag rag Tate.com bloviates about Twombley’s work thusly:
Red is the colour of wine, but also of blood, and these canvases encompass both the sensual pleasure and violent debauchery associated with the god. This contrast is echoed in the paintings’ combination of euphoric loops that soar upwards and vermilion floods of paint that ooze and cascade down the canvas. The unfurling gestures of these paintings were made, like Henri Matisse’s works in old age, with a brush affixed to the end of a pole, which lends them their vitality and scale.
— Christie's (@ChristiesInc) November 16, 2017
I'm sure you made a tidy commission on this. My mother has some of my work from my legendary kindergarten series that could fetch a princely sum.
— tracy1000 (@tracy1000) November 17, 2017
The exorbitant price that the red scrawls fetched wasn’t a fluke. In fact, it could even be called a bargain. In 2015, another of Twombly’s works — also called “Untitled” and resembles scribbles on a chalkboard (see below) — sold at auction for $70.5 million. The funds raised from the sale financed the construction of the 55,000-square-foot Jewish-center entertainment pavilion for Koreatown’s Wilshire Boulevard Temple, Los Angeles’ oldest Jewish congregation. Isn’t it curious how inflated assets are “monetized” to benefit “certain elites”? What a scam!
In the following humorous and astute critique, Paul Joseph Watson eviscerates the Modern Art movement. (No, this is not an endorsement of Watson. Yes, he can be a tool — to say the least.)